GOODMAN GALLERY : artists . Thom, Johan, Kendell Geers, Art in South Africa, March 1. Time Out London, Jesus Christ superstar? The Art Newspaper/Frieze Art Fair Daily, October 1. Exertier, Nicolas, Kendell Geers. La violence innommable, Parachute, no. Mediagazer presents the day's must-read media news on a single page. The media business is in tumult: from the production side to the distribution side, new. Rand Paul is my candidate in 2016, even though the Tea Party would consider me Joseph Stalin's love child. I'm for immigration reform and believe that illegal. Read John Goodman's obituary/death notice, funeral and memorial service information. View images and share memories/condolences for John Goodman from Bel Air, MD. Since we last spoke, I've been. Artner, Alan G. Art: Reviews, Chicago Tribune, July 2. Richer, Francesca and Rosenzweig, Matthew, eds. First Works by 3. Artists, p. 1. 43, Thames and Hudson, London 2. Schijn- Heilig, Blend Magazine, The Netherlands, April, pp. Adams, Brooks, Time after time, Art in America, New York, February, p. Artner, Alan G, Chicago Tribune, Review, July 2. Recipe for Making Plastic Explosives from Bleach, Artistaste, published by Toohcsmi, uitgevers, Belgium, pp. La sainte Vierge, A Magazine curated by Haider Ackermann, no. People, Uovo Magazines, Italy, pp. N. Drawings, 0. 0 People, Uovo Magazines, Italy, pp. Bart De Baere & Henrz Bounameaux, 3. Individual Exhibitions, Contemporary Art in Belgium 2. Best of Publishing, Belgium, pp. La limite et la dynamique de son pouvoir, Doris van Drathen; Les vanit. Bae, James, Ethics and Aesthetics, Art and Terror, Artlies, no. Texas, USA, Winter, pp. Filipovic, Elena, Dionysiac: Art in Flux, Frieze, September, p. August 2. 7 2. 00. Pouncey, Edwin, Outer Limits, review, Wire, London, issue 2. April 2. 00. 5 Chiara, Federico, Philosophy, Vogue Italia, no. Jacobson, Celean, SA Art . Gauville, Herv. 4- 5 2. Biro, Matthew, Bloomfield Hills Michigan. Dalton, Gordon, Curating now, a- n Magazine, January, pp. Gregos, Katerina, Dangerous Liaisons, Contemporary Art Magazine, London, no. Belio, Redpornographicmisery, Summary 0. Madrid, pp. 1. 09- 1. Interview in Time Out, Athens, June, p. Exertier, Nicolas, Le Terrorisme de Kendell Geers, Art Presence, Paris, no. Verdier, Evence, Albi, Art Press, Paris, no. Blinded by the light, I- D Magazine, London, issue 2. Cumulus, Aus Europa, Parkett, no. Dawes, Nick, Visions of Paradise, Art Southafrica, vol. Winter, p. 7. 5 2. Seasonal Unruliness, a dialogue between Kendell Geers and Walter Van Bierendonck, JANUS Magazine, Antwerp, Belgium, April 1. Levin, Kim, A Provocateur and Insider’s Outsider from South Africa, The Village Voice, New York, April 2. Very New Art, BT, Japan, vol. Temin, Christine, Africa now, The Boston Globe, April 9 2. Pollack, Barbara, Reviews New York, Art News, April 2. Kunstvermittlung im System Kunst, Pierangelo Maset, The educational complex, Kunstmuseum Wolfsburg, Germany, pp. Stech, Fabian, Synopsis 3, Kunstforum International, Germany, Bd. Bedford, Emma, Istanbul and elsewhere, Art Southafrica magazine, vol. South Africa, November. Bader, Joerg, Istanbul Biennale, Kunstforum International, Ruppichteroth, Germany, Bd. Pace, Linda and Russell, Jan Jarboe, Dreaming Red, Creating Artpace, pp. Illes, Chrissie, Art. Pace, San Antonio, November- December 2. Holland Cotte, Redefining the African Diaspora, The New York Times, New York, November 2. Kendell Geers interviewed by J. Ultravista, Arte, la VIII Biennale di Istanbul, Alias, Italy, no. Coollustre, Weather Everything Dramatically Different, 3 expositions d’Eric Troncy, Les presses du r. September 2. 00. 3 Bedford, Emma, Reviews/Books, Art Southafrica, South Africa, vol. Pinto, Roberto, Salon de refus. Tot oder lebendig Die Entdeckung einer Arbeit auf der Documenta 1. Germany, pp. 1. 04- 1. Barker, Godfrey, Look back in anger, Art. Review, London, vol. Lebovici, Elizabeth, Hackers Vaillants, Liberation, Paris, April 2. Willkommen im Wunderland, Die Utopie des Zuhause, Reporter ohne grenzen, Fotos fur die Pressefreiheit, Berlin, April, pp. Suburbia I, Quaderns d’arquitectura i urbanisme no. Barcelona, April, pp. Lequeux, Emmanuelle, Hardcore, Desir de Politique, Beaux Arts Magazine, Paris, no. Lingaard, Jade, and Colard, Jean- Max, Action Directe?, Les Inrockuptibles, Paris, no. Coomer, Martin, Art: Preview, Time Out, London, no. February- March, p. Healy, Jim, S is for. Sans, Jerome, Sand in the Vaseline, Art South Africa, vol. Autumn, pp. 2. 8- 3. Deliss, Clementine, Between Fiction and Reality, National Museum of Contemporary Art, Athens, Greece, pp. Shifting Geers. 2. Coomer, Martin, Review, Time Out, London, Feb 2. March 3, p. 4. 52. Bourriaud, Nicolas, Post Production, Lukas and Sternberg, New York, p. Macri, Teresa, Postculture, Meltemi, Rome, Italy, pp. Waiting for the Barbarians, Der Hund ist fur die Hyane eine Kolanuss: Zeitgenossische Kunst und Kultur aus Afrika, Jahresring 4. Oktagon, Koln, Project Pages 1. Krell, Alan, The Devil. Whitt, Joseph, The Passenger; Kendell Geers. Mc. Leod, Scott, Seven from Documenta, Prefix Photo 6, Toronto, Canada pp. Artworks, Crash 2. Paris, p. 6. 1 2. Pasini, Francesca, Kendell Geers, Artforum XLI, no. New York, September, p. Die Dokumenta 1. 1, Kunstforum 1. Ruppichteroth, Germany, p. Kendell Geers, What is Art Today; Qu. Collard, Jean- Max, Afrikan Psycho, Les Inrockuptibles 3. Paris, pp. 9. 4- 9. Troncy, Eric, Infinite Justice, Les Editions du Reel, Dijon, Winter, pp. Francblin, Catherine, Paradoxes de la Mondialisation, ARTPRESS Special no. Hassanand Olu Oguibe, Salah M. Authentic/Ex- Centric, Conceptualism in African Art, la Biennale de Venezia, Forum for African Art, New York, January 2. Parfait, Francoise, Video: Un Art Contemporain, Editions du Regard, Paris, January, p. Putnam, James, Art and Artifact, The Museum as Medium, Thames and Hudson, London, Autumn, p. Troncy, Eric, Infinite Justice, Les Editions du Reel, Dijon, pp. Watt, Liese, Making whiteness strange, Third Text, London, no. Herstatt, Claudia, Skulptur- Biennale 2. Kreis Steinfurt, Kunstforum 1. Ruppichteroth, Germany, p. November- December 2. Laubard, Ch. GI- Joe Attitude, Technikart no. Kent, Sarah, Review, Time Out London, July 4- 1. Berlin Biennale, Kunstforum no. Ruppichteroth, Germany, June- July, p. Where Angels Fear To Tread, The Guardian Guide, June 1. Liebs, Holger, Monster sehen dich an, S. April 2. 4 2. 00. Pollack, Barbara, The Newest Avant- Garde, Artnews vol. New York, April, pp. Interview with Otto Neumaier, Kratzen, wo es nicht juckt, , Frame no. Vienna, March- April, pp. Handler, Ruth, Durch den Tunnel der Gewalt, Art das Kunstmagazin, March 2. Forstbauer, Nikolai B. Der melancholische Schrecken, Stuttgarter Nachrichten, February 2. Braun, Adrienne, Von Schluzern verfolgt. Buchart, Dieter, Kendell Geers: Timbuktu, Kunstforum 1. Ruppichteroth, Germany, January. Enwezor, Okwui and Oguibe, Olu, Reading the Contemporary- African Art from Theory to the Marketplace, MIT press, Cambridge, Massachussetts, October – December 2. Ruppichteroth Germany, p. October- December 2. Kerkham, Ruth, There. Fouquet, Ludovic, Ex Africa semper aliquid novi, Etc Montreal, Montreal, pp. Christine Macel, The Art of the Phoenix, Art Press 2. Paris, May, pp. 2. Micro Politiques, Parpaings, no. Grenoble, February 1. Lindgaard, Jade, Ghetto Blaster, Les Inrockuptibles, Paris, no. February 1- 7, pp. Nuridsany, Michel, Video Impressionante, Figaro, February 1 2. Francblin, Catherine, Artiste du Mois, Beaux Arts, Paris, p. February 2. 00. 0 Dagan, Philipp, Scenes de la destruction et autres images de la souffrance, Le Monde, Paris, January 2. Kasfir, Sidney Littlefield, Contemporary African Art, Thames and Hudson, London, p. Review, Flash Art, vol. Gregos, Katerina, Kendell Geers, Contemporary Visual Arts, London, issue 2. October, p. 5. 6 1. Firstenberg, Larie, Cityscape Johannesburg, Flashart Milan no. Milan 1. 99. 9 Jouanno, Evelyne, Extra et Ordinaire, Flashart, Milan, October 1. Gregos, Katerina, Review 9. Noticias ARCO, Madrid, no. Puvogel, Renate, Trafique, Kunstforum 1. Ruppichteroth, Germany, July. Review, The Art Newspaper, no. Kent, Sarah, Review, Time Out London, June 3. Video et photographie scellent leurs noces au Printemps de Cahors, Guerrin, Michel, Le Monde, Paris, June 2. Neumeier, Otto, Portrait des K. Birrel, Ross, Geordende revolte in Glasgow, Metropolis M, no. Firstenberg, Laurie, Performative Recollections: An interview with Artists Olu Oguibe and Kendell Geers, Chicago Art Journal, Spring, pp. Feeser, Sigrid, 7 Triennale de Kleinplastik Europa- Afrika, Kunstforum no. Ruppichteroth, Germany, January. Walker, Hamza, South Africa, Cumulus, Parkett, no. Hanru, Hou, et al, CREAM, Phaidon Press, London, pp. Kellner, Clive, Art of Darkness: Darkness of Art, NKA, Cornell University, New York, no. Hobbs, Philippa and Rankin, Elizabeth, Printmaking in a Transforming South Africa, David Philip Publishers, Cape Town and Johannesburg, March- April, p. Enwezor, Okwui, Altered States: Die Kunst des Kendell Geers, Inklusion- Exklusion, Du. Mont, Koln, March. Peffer- Engels, John, Review, African Arts, Winter, pp. Lampert, Pascal, Review, Metropolis M, no. Williamson, Sue and Jamal, Ashraf, Art in South Africa, The Future Present, David Philip Publishers, Cape Town and Johannesburg, p. Koloane, David, Africus, The Johannesburg Biennial, A Perspective, African Arts, Winter, pp. Schmidt, Dierk, Review, Springer, October. Ferguson, Lorna and Mulclaire, Thomas, Aperto, Flash Art, Summer, pp. Cotter, Holland, Art in Review, New York Times, June 2. Morgan, Stuart, Crapshoot, Frieze, issue 2. June. 8. 4- 8. 9 1. Breitz, Candice, Why Have There Been No Avant- Garde African Artists? Richards, Colin, Retaining This Fire, Atlantica, no. Enwezor, Okwui, Occupied Territories: Power, Access and African Art Frieze, January, pp. Gilman, Sander L, Picturing Health and Illness, John Hopkins University Press, Baltimore, pp. Mc. Evilley, Thomas, Report from Johannesburg Towards a World- Class City?, Art in America, September, pp. Rosengarten, Ruth, Inside Out, Frieze, Summer, pp. Rosengarten, Ruth, Biennial, Artnews, May, p. Weil, Benjamin, South African Art- Out of Time, Flash Art, January. Macri, Teresa, Motho Ke Motho Ka Batha Babang, Virus, Cape Town, November, pp. Vries, Fred, Het Oproer Van De White Boys, Elsevier, Amsterdam, October 2. Weil, Benjamin, Crossing The Boundaries: Two Examples in South African Art, Atlantica, Autumn, no. Green, Michael, Con- Artist at the Loovre, You Magazine, September 1, pp. Bristowe, Anthea, Getting into Geers despite static, Business Day, August 2.
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